"There are definitely barriers to entry getting writing jobs. Coverfly has helped me push past the cycle of needing representation to get jobs and needing jobs to get representation.

I was pitched to coverfly, so I was happy to learn about the resources you were willing to offer, and the one-on-one support. "

"Coverfly has been instrumental in helping make all this happen. First, their portal: when I found their portal several years ago, I thought it was a perfect place to keep my updated scripts, get connected with other writers, and make entering competitions easier. It became so much more. As my writing improved and I started placing in competitions, the Red List became a place where industry folks and fellow writers could access them. Team Coverfly has actively connected me with managers and producers, helped set up meetings, and provided opportunities to pitch to Industry Professionals during Pitch Week. All of this...from Coverfly...for free. I can't say enough about how Coverfly helps support upcoming writers and gets dreams ignited.

After winning the ScreenCraft True Story Competition in September, the team from Noble Story Co found me through Coverfly and just optioned ENDURANCE, the true story of Master Sergeant Cedric King. who survived an IED in Afghanistan in July 2012, witnessed the Boston Marathon bombings in 2013 while taking his first steps on prosthetics, and then committed his life to bringing hope to wounded veterans by completing the Boston Marathon less than one year later. I'm very excited to partner with Noble Story Co and look forward to helping them get it sold in 2021."

"It was great to be able to have a sensible, third-party perspective on the ‘ins and outs’ of the industry where, on the surface of things, everything appears immaculate. I was able to learn as we went along together, picking up certain wisdom and techniques in weaving through every threshold to start a career. if anything, Coverfly pushed me to become the writer that I am today, one who now confidently feels that they are ready."

"I was recommended to Coverfly by a friend! She told me about how much success she'd had with the team, and she wanted to spread the love, so to speak. They answered every question with speed, patience,  and an expertise that I hadn't been fortunate to receive probably ever. They were an incredible resource to talk things through with, and they had a very clear plan from the beginning that helped guide me through everything. I couldn't be more grateful."

"Pitch Week was a breezy and most welcome chance to break free from the confinement of central-European filmmaking. My eyes were blood-shot tinies when I met with Dan and Chris from Echo Lake at 2 in the morning - but turns out, it was all good and well.

Cheesy, but be persistent, always. I've been putting myself out there through competitions, fellowships, virtual pitches etc. for ever. You never know which submission will suddenly bear fruit. Keep applying, and while you wait for your future representation to find you, keep writing. Love the process and trust there's place in this world for your voice and your stories."

"The biggest obstacle to my screenwriting career goals has been living abroad. I am from Guatemala, and even though I graduated from the LA Film School, I have had to build my career from home.

I received very personalized and friendly attention from Coverfly. I have had open communication with them, they’re always there when I have questions, and they really have given me more support than anyone else has on my career path. I am extremely grateful to have met them.

I worked very closely with the Coverfly staff to send my work to companies and managers that would fit well with my profile, and I had the good fortune of hitting it off with a very enthusiastic and excellent manager from Inclusion Management. Being LatinX, this was the perfect fit for me. Now I have the guidance and support to get my screenplays into the right hands to accomplish my goals.

if you want to write well you have to READ a ton of screenplays, novels, do research, and absorb as much content as possible to hone your craft."

"Coverfly’s pilot writing competition got me generals at major networks and production companies, one of which I was able to spin a job out of. Coverfly is an access point and I’d recommend getting involved with them to anyone who feels like they're not being let in the door."

"I'm from Houston, Texas and I went to school in New York City. I kind of stumbled upon this profession. Even though I had dreams of writing in Hollywood, I just never saw it as a feasible career option until people started telling me I could do it!

I'm not too far into my career but thinking prospectively, I feel like I doubt myself a lot and procrastinate. It's frustrating seeing people who are objectively less talented and hardworking zoom right past you by virtue of privilege and/or connections. I've learned that I can't compare myself to anyone, I have to go at my own pace.

Coverfly has helped me make so many meaningful friendships and connections. Coverfly helped me get connected with my current management company, specifically, Tom Dever has been so kind and attentive to my needs as a writer and what I should do to advance my career.

I'm currently writing a second pilot and writing a feature script. I just sold one webseries and am in the process of selling another one as well as a podcast!
I would say keep trucking on! Very cliche advice but if you keep trying eventually someone will notice and push you forward.

Coverfly rocks!"

"Coverfly was a great and efficient way to meet people and get my story out. It was like speed dating, but for your career.

There is not one way to break into this industry. So try everything. Apply to festivals and fellowships, reach out to alumni, friends, friends of friends. Your third cousins’ sister-in-law. There are multiple paths to this industry, which can be a blessing and curse."

"I was compelled to write from a very young age. When I learned that I could combine it with my other passion for film, it was game over and I knew that it was the only thing I wanted to do. I started working in the industry when I was seventeen years old, without any prior connections, so some obstacles that I faced early on were access, and being taken seriously – because of my age and being a woman. I basically learned the politics of Hollywood the hard way. There was also a period where I didn’t write anything new for years, because I got stuck between working myself to death at very demanding industry jobs in order to make rent, and finding more time and energy to write. It was definitely tough to manage that work-life-dream balance. Took a lot of sacrifice and focus.

I began to really target my contest entries to programs where the main prizes or benefits were exposure. Launch Pad competitions kept coming up in recommendations, through other writers and research. So, I gave it a shot! Hoping to gain connections and more direct access to reps and producers.

Guidance! Working with Coverfly’s writer development team was such a great experience. They genuinely care about helping writers who are ready get to where they need to be in order to succeed. There are countless books, blogs, and other resources out there that can advise you on how to write better scripts, how to enter contests, how to network, how to query managers and agents. But there is almost zero information about what happens after that, once you get to the point of being on the brink of breaking in. Like the nitty gritty of what to expect once you’re signing with reps and really getting your work out there. Coverfly was so supportive, and helped guide me through that complicated and stressful period. For me, it was the first time that I really felt like I had someone in my corner, who understood all the struggles that writers go through and have helped many to successfully overcome them. I’m very grateful to them!

To continue building my team with my manager, and keep getting my winning pilot and other specs out to the town while strategizing my next moves. I’m most excited about just finally becoming a real working writer, and to persist on that path wherever it leads.

Having started out in the industry so young, without going to film school and having no connections, I just kind of threw myself into the fire and took jobs to get experience wherever I could. I wish I would have known to try and focus the work more specifically earlier on into areas that would more directly benefit my ultimate goal of becoming a screenwriter. Such as becoming a writer’s assistant or writer’s room PA. The idea of working at an agency terrified me, but in hindsight it might have been a good way to go. Also, keep in touch with literally everyone that you meet and work with! I worked as a set PA for a while and then got hired as a director’s assistant. But when that job ended a couple of years later, I wasn’t as connected with my production contacts anymore and essentially had to start all over again. It really is about who you know, so keep up your relationships genuinely!"

"I'd say the biggest obstacle was having a writing sample and aspirations of breaking into the TV/Film writing world, but no connections or a clear way of connecting with industry folks. It always feels like a catch -22 when starting out that you need experience to break in, but no one will give you opportunities to gain experience.

A BIPOC TV writer, Camille Corbett raved about them, and was gracious enough to connect me. I was looking for guidance and advocates who cared about helping me progress as an up and comer in the industry.

Incredible! Specifically, Tom was always such an advocate of me and my writing, as well as invested in helping me achieve my goals. They were always there if I needed to ask a question, and offered great advice, and insight into the biz.

I just signed with Bellevue, and I am excited to develop that partnership, and continue working on samples and pursue staffing on a TV show.

Be persistent! Every single day I was strategizing on how I could help make my goals a reality, and ultimately that helped me achieve them.

As cliche as it sounds, don't give up. Be reliable, consistent, personable, and specific about what you want, and watch it come to you!"

"My biggest obstacle was location. Not being in LA made it much harder to be taken seriously by the industry. Also, I was writing female-driven content for a market owned and operated by men. If anything good can be said about 2020, it’s that these are much smaller obstacles for new writers now than when I was starting out!

Trust your instincts. Your gut is almost always right. (Case in point, back in 2006 I had an idea for a feature that essentially would’ve been BAD MOMS, which released in 2016, but let my reps convince me to write something with a male lead. I’ve lost count of how many ideas from my early files have been made very successfully by someone else.)

I already knew about Coverfly from submitting to competitions. I'm excited that a studio has expressed interest in one of my pilots, and look forward to announcing specifics when I can. It's hard to reconcile having a banner year professionally during what's objectively been the worst year of my lifetime in nearly every other category. The only way I've been able to own it is to keep making this promise: I'm a creator. I have a voice, and I'll continue using it to amplify others'. And to the best of my ability, I commit to making writing and casting choices which allow everyone to see themselves represented on screen.

Study the craft. It's much more than just having cool ideas or being great with words.
And don't aim to write better than "the crap out there." Aim to write better than you think you can."

"My biggest obstacle was location. Not being in LA made it much harder to be taken seriously by the industry. Also, I was writing female-driven content for a market owned and operated by men. If anything good can be said about 2020, it’s that these are much smaller obstacles for new writers now than when I was starting out!

Trust your instincts. Your gut is almost always right. (Case in point, back in 2006 I had an idea for a feature that essentially would’ve been BAD MOMS, which released in 2016, but let my reps convince me to write something with a male lead. I’ve lost count of how many ideas from my early files have been made very successfully by someone else.)

I already knew about Coverfly from submitting to competitions. I'm excited that a studio has expressed interest in one of my pilots, and look forward to announcing specifics when I can. It's hard to reconcile having a banner year professionally during what's objectively been the worst year of my lifetime in nearly every other category. The only way I've been able to own it is to keep making this promise: I'm a creator. I have a voice, and I'll continue using it to amplify others'. And to the best of my ability, I commit to making writing and casting choices which allow everyone to see themselves represented on screen.

Study the craft. It's much more than just having cool ideas or being great with words.
And don't aim to write better than "the crap out there." Aim to write better than you think you can."

"I know my work isn't for everyone, so I wanted a contest that was looking for fresh bold voices. I was looking to put my work out there to get some feedback and hoped for the best for anything else. That's why I submitted to WeScreenplay!"

"Everyone at Coverfly was super helpful, responsive, and really wanted me to succeed. They were very honest with giving tips on putting the best foot forward which I really appreciate. And they introduced me to my new Literary Manager"

"I found that the biggest obstacles to my screenwriting career goals were access and opportunity. It is super helpful to have someone championing your work. Having good enthusiastic people who believe in you and are committed to supporting your career and journey helps you to get into rooms/doors, get meetings and get read- which in turn, helps you get work.

Coverfly was great! The contact I worked with was in communication. Interviewed me. Continued to support me and ask questions to get to what was unique about me as a writer and as a person. I loved the Coverfly 'getting to know me' process. And I really felt a dedication to getting me what I wanted- new management/representation that would be a great fit. In addition, there was constant follow up. Coverfly was and is committed to supporting my journey and success as a writer and for that I am forever grateful.

It was kind of like dating, of course. My management had three people read three different scripts. Then we got on a zoom call to see if we connected and had chemistry on a basic level. We all seemed to vibe and like each other.

I'm currently out to companies with my Dramedy Pilot B.E.E.S that is inspired by my time as a 'reluctant debutante'. I am very excited about it and the response has been amazing. I'm also thrilled about a project I'm producing that Catherine Hardwicke is helming. And another project I'm helping to develop and produce that Billy Porter is writing and directing.

I hate to be cliche but- Keep writing. And write what you know. That advice never gets old. The Pilot that I am currently pitching is inspired by my life.

So many writers and content-creators become successful from writing what they know. Issa Rae, Radha Blank, Ava Duvnernay, and Kenya Barris' projects are inspired by their lives. These are just a few examples. There are so many others. So keep writing, write what you know and don't stop believing until you are achieving your dream."

"I was really drawn to ScreenCraft specifically because of the genre specific competitions. So many competitions will categorize your script as either "drama" or "comedy," and when you have a genre script, it's easy to get lost in the shuffle. Needless to say, I was thrilled when I realized that ScreenCraft had an Action & Adventure competition. I entered hoping I'd maybe get some recognition, maybe get some contacts. I never expected to win. And when I did, ScreenCraft seriously opened so many doors for me.

Working with Coverfly has been such an amazing experience for me. It was such a huge help to have the team in my corner. He made sure I was speaking to the right people, and his guidance and insight made the search for reps feel like a manageable task. I'm so thankful for all the support I've received and I know that their endorsement helped get my name out there on a large scale.

Well the first step in this journey was getting my material to reps. Thanks to Coverfly, my work found its way to managers who then, if they enjoyed the read, reached out to connect. Once I knew a rep was interested, we scheduled a zoom meeting and I prepared by making sure I had other projects to discuss or pitch in the "room." Once we met, it was a chance for us to get to know each other -- each management company has its own style and it's really important to figure out which one syncs up best with your creative process and career goals. It was also important to me to see who I naturally clicked with -- you want to feel like you and your rep share the same vision for your career."

"Omar Kamara & Jalmer Caceres are children of immigrants from Sierra Leone and El Salvador, respectively. With one being raised outside of DC and the other in LA, the two met at the American Film Institute. They bonded over the difficulties of a multicultural upbringing and their genuine love for storytelling.

We struggled with access. We felt that we had stories to tell, we felt that we had a specific lens with which we wanted to explore the themes important to us. However, as young filmmakers trying to break in, there aren’t a lot of people that take you seriously and are willing to take the risk with you. Finding ways to bypass the gatekeepers was a struggle for us because we had absolutely no contacts or connections in the industry. That was definitely the biggest obstacle.

We did our due diligence and researched all the different types of contests out there. What we loved about the Screencraft Fellowship was their emphasis on fresh voices. We understand that we are still growing as screenwriters and that perhaps we’re a bit raw, but we FELT that we had a voice. We knew that our story of Sierra Leonean immigrants and inter-generational conflicts deserved to be told. So, I guess we were hoping that the ScreenCraft Fellowship would see value in this voice and help us move forward by opening doors and introducing us to people that we had no access to.

Since the ScreenCraft Fellowship was the first competition we submitted to, it served as validation that at least someone, somewhere, saw a little value in what we were doing. As we advanced, we got more and more excited and began reading the success stories. We never imagined that we would be top 10 but getting to meet the team and talk with them about our career plans and trajectory was a huge confidence booster for us at that early stage.


We felt privileged to be endorsed, and grew to understand that even with such focused exposure, we would have to do the work to continue opening doors. Tom was a great mentor on guiding us through this process and helping us find our representation. We think that is the key takeaway: Coverfly is immensely helpful in guidance and advice, but you as the writer still need to know what you want for your career and do your research so you can become a collaborator in the process.


The work actually never stopped. Even as we were going through the process we were working on projects that were important to us. We always laugh because even though no one is paying us, screenwriting is our full-time job. We’re currently writing our second feature TIGER which is a Sierra Leonean MMA film about shame in your cultural identity, and an untitled horror film set in a Sleep Lab that deals with the struggles of an immigrant Latinx family. It’s an exciting time
and we can’t wait to continue the work.


Don’t fear rejection. We always said we were looking for one yes, that’s all we needed. We can show you our profile which has “No Placement” upon “No Placement” for our feature, MASS AVE. Yet, with the ScreenCraft Fellowship we landed in the top 10. Then more placements appeared. As we got notes and feedback from competitions we continued to work on MASS AVE to do our best and make the script undeniable.

In conclusion, take any opportunity you can get and maximize it. Also, never see your work as a finished project; always strive to have clarity for your reader."

"I don't live in California, so making connections was quite a bit harder. So I used all available resources -- including Coverfly. When I first signed up, I just wanted a way to track my competition results and my improvement.

I connected with all my acquired contacts in the industry, then connected with those with whom I shared multiple connections. I grew a profile with lots of great connections, then started posting on LinkedIn about my screenwriting accomplishments.

I posted an image of one amazing review I got through CoverflyX peer notes, and that garnered me a good deal of attention and several read requests from a producer who will soon be sending me an option offer!

After I pitched an agent during Pitch Week, I mentioned the interest from the producer and she signed me on the spot!

Honestly -- this business is FULL of ups and downs. When you hit a "down," take some time, lick your wounds, then do something where you can potentially get another "up" (enter a competition, query, get some feedback, etc.) Oh! I also paid for notes whenever they were affordable and considered every suggestion carefully. And swap scripts & notes with other writers! I really feel that helps to polish your stories."

"Neither of us came to Los Angeles with industry connections. We made our way through the rigorous USC Masters Cinema-Television program, forming relationships and honing our craft. Like many emerging screenwriters, we had numerous instances of almost selling a movie script. The greatest obstacle was often the most obvious: securing financing. In one case, an investment group lost the lease to studio space that we had planned to use for our film. In another, an investor pulled out at the last minute. Thankfully with CRATE, we have landed a deal that looks to be moving forward and have already received our option fee.

Coverfly seemed like a great way to summarize and showcase all the awards that we had accumulated for many of our screenplays. Not only does it provide a link to share our awards with industry professionals, Coverfly even assigns a score to the script that grows with every contest success. Eventually, we landed on Coverfly’s prestigious “Red List” as the #6 top horror of the year, which led to even more outreach attention from the industry.

Once our script CRATE made Coverfly’s Red List as the #6 top horror of the year, we began to receive several read requests from industry professionals. Eventually, Coverfly referred us to Wavelets Entertainment. They were looking for contained thriller/horror feature scripts like CRATE to produce for domestic release in China, followed by a global release on streaming platforms. After a few telemeetings, we were fortunate to secure an up front paid option deal, and the rest is history.

Be relentless. It sounds like a cliché, but we would have never achieved any measure of success without pushing ourselves every day to keep writing, keep seeking feedback, keep rewriting and keep polishing. In the end, you can’t control whether or not a company or investor puts money behind your dream script. All you can control is the quality of your work. When the opportunity comes to enter a script competition or share your work with industry professionals, make sure you have the best piece of writing ready.

Another way of putting is, flip the formula. Make it an opportunity for them—the producers, investors and industries pros that have the power to green-light your work. If your idea is fresh and original, and the writing is strong and easy on the eyes, you have a much better chance of piquing their interest.

Finally, don’t make your first or even second script a 100+ million dollar blockbuster. Be economic with your use of space, characters and props. With CRATE, we built a story around one intriguing contained location: a shipping container on a boat, where a group of immigrant stowaways are hiding on their journey across the ocean."
"

"I write primarily for television, and I’m interested in truthful, authentic stories in any genre. I just signed with Sarah Nezamzadeh at Stride thanks to Coverfly’s Endorsed Writer Program.

The writing is easy, sometimes even getting produced is easy, but getting your work in front of the right people is the hard part. You’ve got to find a way to cut through the noise, and navigate these institutions, and then find people who will give you the time and attention you deserve. Fortunately, Tom at Coverfly was one of those people, and helped me connect with managers who gave me the same level of consideration.

I submitted with a short script that I wrote to direct myself. I just wanted to see how people responded to it, and maybe build some interest. I didn’t expect to win, and to build a relationship that would lead to representation.

A professor in college told me that I shouldn’t pursue reps, that it would work out when the time was right, and I really think that’s what happened. I’d met with several over the years but working with Coverfly was the most focus push I’d made. Coverfly introduced me to some great people, and coached me through reaching out to others on my own. The meetings are a bit like going on a date – getting to know each other and seeing what you have in common. That was the deciding factor – I went with the person who felt like the best fit, who I could envision working with long term.

I’m working on two pilots – one that’s pretty far along and I’m excited about how good it is, the other is still very much in the early stages but is wild and crazy and will probably be too expensive to ever produce but I’m excited about the potential. And I’m planning to return to directing when COVID procedures become a little more clear.

I don’t really feel qualified to give advice - I’m still blundering around in the dark as much as anyone else! But one thing I’ve focused on in the past few years is surrounding myself with the right people. By that I mean people who lift you up, and make an effort, and are kind. The work can be lonely and hard and it’s so much better with people you love around."

"I think, like most trying to make a career out of this thing, it's finding an opening in the "yes" door. There seem to be a million ways in and absolutely zero ways in at the exact same time. Add in the fact that I don't reside in LA, and it gets even trickier.

"When I first signed up for Coverfly, it seemed like a convenient way to submit to a screenwriting competition. I wasn't aware of all the other things Coverfly was doing (Red List, Pitch Week, screenplay hosting, etc.). One day I started browsing the site and saw potential for further exposure through the platform. I began working toward getting on the Red List and creating a profile that showcased who I am and what I have to offer.

I was hired to write a feature. It all started with an email from Coverfly notifying me that an industry professional downloaded my script. I gave it little more than a "that's nice" and carried on. Not long after, Rekola Studios reached out to me to strike up a conversation and see if I was a good fit to write a feature they were looking to shoot next summer. We hit it off and turns out he loved my screenplay "The Fuck-It List." Contracts were signed and I'm now developing and writing a feature in an awesome collaborative relationship.

Write every day. It doesn't matter if you're writing in 12-point Courier or not, just write. Writing is a muscle. Don't allow it to atrophy. The more you use it, the stronger your writing and the easier it'll flow. It's really that simple. Everything else will follow. "

"I’m from the Midwest, but I’ve lived in more states than I have fingers. I live in California now. I write supernatural and psychological horror features, and I’m repped by Scott Faucett of HG5 Entertainment.


The biggest obstacle was being the primary caretaker of my two young children and finding time for my work.

When Coverfly first began I thought it was just a handy way to submit for competition, but they’ve done so much more for me! They’ve been a great resource and support: helping me with my bio and loglines, launching me as a featured writer, being there to give advice, and most importantly, introducing me to my manager.

Coverfly helped me work up a query strategy timed with my “featured writer” release. After initial queries to my researched list, they actually reached out and introduced me to other reps as well, one of them being my current manager. He read my work, we had a couple of phone conversations and really hit it off, and that was all we needed.

There is no secret surefire way to make things happen. The one thing you must have is people that believe in you and will vouch for you. It's not "networking", it's building your tribe. Make friends you love and can depend on. Help people out and be grateful for the help you receive in return."

"It's tough to get read, to garner support, to build momentum — and then you have to pitch and market yourself, network, sell. It's a lot to ask of a writer! I've found blind persistence and a touch of delusion to be essential for making headway.

I signed up for Coverfly hoping to find an avenue for getting my writing in front of more producers. One day, I just got a message from Elixir Entertainment out of the blue. I'd been updating my Coverfly profile, making sure my scripts were all up-to-date, refreshing my scores just to make sure I wasn't missing anything. Might have added a few points to a screenplay that raised its exposure at just the right time.
"

"Half of my approach to the craft is like working out: lots of repetition and just being tenacious with story math and form. The other half is fielding whatever intuition brings organically. Learning how to invisibly meld those two sides was a tricky hill to climb.

When I signed up for Coverfly, I was hoping to make connections and find representation — but only if they clicked. I was really looking to network within the business and Coverfly provided great connections through their Writer Success Team, who was an incredible help at just the right time.

After winning and placing in several competitions, and while continuously working hard over a couple of years at just getting better, The Writer Success Team put me in touch with several people to try to find a good fit. You’ll often hear this process compared to dating, but it’s actually simpler. It’s more like making friends in kindergarten: you know five minutes into recess. Elixir and I hit the ground running.

I just completed an Alternate Reality Game for a feature I wrote and directed called ALIEN THEORY. (Facebook.com/alientheorythemovie for info and all the fun.) Elixir and I are pursuing several studio and independent opportunities and are hoping to have sharable news in the near future.

Decide to want to be better and better at what you do even more than you want to break in. Put your energy into that and eventually people will want to break in on your behalf. Get notes from Coverfly as much as you can. I found their feedback system very helpful— whether I liked the notes or not, I always tried doing a draft as suggested. That exercise created the most gains as a writer, which is more important in the long run than how good the 3rd draft of your latest script is. Coverfly also provides access to great writers, so read them. When you write, remember to put the audience first. Finally, read screenwriting books but only follow a piece of advice if you can fit it on the back of a napkin."

"We're from Massachusetts, we write comedies that often have some kind of historical, literary, or supernatural twist, and we've just started working with Brad Petrigala at Brillstein Entertainment Partners.

We kept meeting potential reps and producers who were impressed with our materials but thought we were too niche, which was incredibly frustrating when it seemed like every week there was a Deadline article announcing a new show exactly in our wheelhouse. We had a meeting where we were turned down by a rep basically because he didn't think there would be a market for us and the next day Apple announced Dickinson, a show that seems like it was ripped from our heads. Definitely wondered if we were just experiencing a totally different reality from other people sometimes.

Well our pie in the sky dream in signing up with Coverfly was to get representation, so I guess that worked out! Otherwise, any opportunity to get our names out there and get more people familiar with us and our work would have been helpful, since this is a marathon, not a sprint.

Our awesome contact at Coverfly took a look at our materials and made a list of reps he thought we'd fit with. Based on those lists we attacked! We were particularly interested in Brillstein. Having those recommendations was a huge boon to us. We had a long (nearly two hour) meeting with our now manager talking about scripts, the industry, and some fun casual stuff. We vibed very well and within a week decided we would work together!

We are working on a series for our YouTube Channel "Shipwrecked Comedy" that we were meant to be shooting right now!

Definitely don't be afraid to write the things YOU want to write. We've been told many times that our writing is too niche etc. While we are always keeping audiences in mind, we write things that we ourselves would want to see!"

"The biggest obstacles I've faced ave been trying to generate pages and find time for endless rewrites while supporting myself financially, getting finished screenplays into the right hands and finding like minded creatives who are interested in making off color controversial projects.

When I first signed up for Coverfly I hoped to find representation or independent producers interested in making my work. I was introduced to Coverfly through my boss Jacob Krueger (if you want to tag). Through Coverfly's Endorsed Writer Program, I met with, sent samples to and queried a number of managers and agents. After several meetings I met Nick Leicht at Elixir. We had a natural connection and decided to work together exclusively.

Currently, I'm wrapping up a co-written spec script entitled Kill The Light. It's a sci-fi/action adventure about a sheltered young woman and oppressed AI fleeing the newly founded and extremely conservative Republic of Texas. I'm also embarking on a new Horror Comedy that is technically about four young women partying at a Lake House until one of them becomes possessed by Satan, but is really about what women have to go through to claim their autonomy.

My advice for aspiring writers would be go ahead and write the crazy passion project, but when you get to a place where you've honed your voice and skill set start thinking in terms of marketability and have a screenplay in your back pocket that's an easy sell. Easy sell = clear hook, contained locations, low budget and if a topic is fraught with controversy turn the story into an allegory. "

"It’s so easy to put yourself down and lose faith in your journey and feel like your stories and ideas don’t matter. But believing in yourself is KEY, and even though you may feel like an outsider, you have to trust the process and have faith that your tribe is out there.

Having an engaged mentor has been a complete game-changer for me. To be a writer is to face rejection regularly. When no one wants your script, managers aren’t writing back, and you’ve run out of things to write, it’s crucial to have someone you trust telling you, “Yes, it’s hard. Keep going anyway.” The team at Coverfly were super supportive and always available to chat whenever I had questions or needed advice.

Finding reps was a bit of a roller coaster if I’m honest, and there were some quick rejections along the way too. But for me, the most important thing was being able to get my brand across as a writer and figuring out if our pairing was the right fit for one another. My reps are badass, but they always make me feel like I deserve to be there!

Currently, I’m getting introduced to the town and headed out on several meetings. So my next immediate goal is to staff on the show of my dreams.

Trust your instincts and write the stories that keep you up at night, even if it means taking risks. Risks pay off in the long run, and eventually, the right people will find you."

"I’d love for reps and buyers to remember that maturity is also a category of diversity. Mid-career writers should be sought after. Unique perspectives and fresh voices don’t have an expiration date, in fact they can get sharper with time. It would be lovely if the brilliant female and talented artists of color, who have endured tougher times when inclusion was not on everyone’s mind, would be viewed as they should be – a spectacular talent pool."

"I struggled finding ways to get my stuff read and to make connections in a town where every second person at every coffee shop is busy writing their own screenplays In the past, I’d had some success in contests and on the Black List site and even once had a pilot in development at one of the studios. Lots of steps forward and near misses but nothing had really got me over the wall and into the WGA.

Coverfly was able to help connect me with a manager who was specifically looking for the kind of scripts that I write. Nick was on the site hunting for high concept action-comedies and found a script of mine that he instantly connected with. He reached out through Tom at Coverfly and the rest is very recent history.

It was a bit surreal, honestly. When my manager found my work on Coverfly, he reached out immediately and I signed with him less than a week later. But, I don’t want to make it sound like the whole thing happened instantly, because it’s been at least a couple of years since I started using Coverfly to enter contests and I’ve been writing features and plots and specs and putting them out there for years before that.

The long game has always been to make a career out of making up stories and putting one word in front of the other. The next step is under wraps with my management right now, but keep an eye out for something from me soon :)

Stay on your hustle. Always be writing."

"Working with Coverfly felt like the best and most comprehensive way to advance in my career. They have the connections and tools to open doors that I did not. It made me feel really supported that I could work diligently on my craft while Coverfly helped with the daunting but imperative task of meeting the right people that understood my voice."

"Not being educated was the biggest struggle early in my career. I didn’t even realize film and television were written mediums until I was a junior in college. Developing and curating an amazing network was the most helpful once I jumped into the industry. Taking the time to develop my skillset prepared me to take advantage of every opportunity I have had since."

"Coverfly has been a champion of my writing since day one. They are always willing to go that extra mile to send out my material or make industry introductions. They’ve been particularly helpful in connecting me with fellow writers and helping me grow my writing community as my career progresses."

"You need to write, read, watch tv and scan the trades daily. It’s a must, I don’t know anyone who’s doing that who is not successful."

"The most important thing is doing the work. I constantly focus on developing my writing skills and projects. I also submit to labs and competitions. They give me deadlines and therefore fire up my writing a bit. What feels the most helpful outside of that is building a community of support around me. When I was connected with the Coverfly team, that gave me a good boost to put into motion a goal I have for a long time; to get repped."

"Breaking into the entertainment industry, let alone television, is a daunting task. I built up my slate, had some work produced, and then started to submit to contests while I built up my network. It’s still so much about who you know and getting into the right rooms. Which led to placing on The Bitch List, which was very cool. The mission behind that list is something I’m passionate about and it was an honor to be recognized for that work alongside so many other talented and hard-working writers.

Partnering with Women In Film to produce my gender parity comedy series Flip The Script was a game-changer and really set me on the path for writing as a career. Now signing with new management will be the turning point in this next chapter!

Placing on The Bitch List 2020 was very cool. The mission behind that list is something I’m passionate about and it was an honor to be recognized for that work alongside so many other talented and hard-working writers."

"I felt that as an Asian American woman, I had very few acting roles of substance available to me, and so I decided to create my own roles. Then I realized I liked the creating side more than the acting side and so I stuck with it.

One of the biggest struggles is just figuring out what to do. How to get an agent? How to get a job? How to get recognized? I submitted to a number of screenwriting contests – not so much for the exposure, but really for me to understand how my writing stacked up against other people. I truly had no concept of whether I was a good writer or not. And while contests are all subjective, so is this whole business! So I figured, it was a good place to start.

I also found great mentors through years of networking, forming friendships, reaching out and cold-calling/emailing. Luckily, a wonderful manager advised me to just keep writing and the rest would come. Very “Field of Dreams”, but it worked."

"The largest obstacle I’ve faced as a writer is myself. At one point the idea of finishing a feature length screenplay felt impossible, and it wasn’t really until I accomplished that, that I felt like I could do anything as a writer.

Coverfly was a great resource in getting myself out to different competitions. That was a huge help in getting me connections after winning a student competition. Then getting on the Black List and the Young and Hungry list, I signed with representation, and a director signed onto my feature."

"Early on—as both an actor and a writer—access felt like the biggest external obstacle, but the bigger issue was thinking I was ready to make the most of the access if I could get it. It’s challenging when you don’t know enough to realize you’re turning in a product that is undercooked. I needed to put in more time to what I was working on. I still do that.

Screenwriting competitions have been the most crucial resource for me. That and the relationships I have been able to make through them and my other projects."

"I wasn’t used to turning out the amount of work that we were tasked with in that program every week and was getting in my own way with trying to make every line perfect on the first go. I remember a teacher telling me: “the perfect is the enemy of the good.” You have to allow yourself to fail and get down a less than stellar rough draft. If not, you’ll never finish them.

Without a doubt Coverfly has been the biggest tool for my success. Fresh out of school, I was able to connect with potential reps and avenues to get eyes on my samples. That was crucial for me. Finding representation that I felt enjoyed and understood my work from the beginning, while also being excited about where I ultimately want my career to go. That doesn’t happen every time you meet or inquire with reps."

"One of the most formidable obstacles I’ve faced as a writer is the barrier to entry in the industry. It’s difficult to get exposure as a writer while maintaining a full-time job and providing for a family.

I had entered my script in a few competitions and placed in the semi-finals/finals in a few. As a result, my screenplay was made available for industry professionals to review through Coverfly. I had almost forgotten about the script when I received a notice from Coverfly that an industry professional had downloaded my script. A few weeks later, the producer contacted me and we arrived at an agreement for option shortly thereafter.

I truly believe that competitions can generate exposure for writers that are struggling to make industry connections. I would recommend opting for notes and critiques whenever available. Each set of notes or reader comments I received helped me to fine tune my screenplay. Although the screenplay didn’t take the grand prize in any of the competitions, the exposure on Coverfly definitely made the difference in getting it noticed."

"“Coverfly is a revolutionary platform. A free-to-play portal connecting screenwriters to producers. Your script goes directly to their desk without any subscription fees or mass mail-outs or the need to secure an agent or manager. A Hollywood producer downloaded my script from Coverfly, then came to me with an offer I couldn’t refuse. Without Coverfly, my project wouldn’t have been optioned by an established film producer. It would seem Coverfly is fast becoming the go-to place for connecting writers to real opportunities.”"

"After years of sifting through countless screenwriting competitions, I am now able to simply search through an easy-to-read list on Coverfly and submit my projects all in one place. Never before did I know that the Nashville Film Festival had a screenwriting competition until I was introduced to it through Coverfly. I submitted my project and subsequently ended up winning the top screenwriting honor for my TV Pilot, Radicalized. Subsequently I signed with manager Randy Kiyan at Luber Roklin Entertainment and I’m now in pre-production on my feature film, A Brotherhood, with David Moscow attached to produce."

"After Coverfly put me in contact with a producer, I was fortunate enough to get signed this week! I’m now working with a literary manager whom I trust to guide me and my screenwriting career. Thank you Coverfly for working so hard and so passionately on behalf of screenwriters… and most of all for believing in our stories."

"Coverfly gave our screenplay valuable exposure to industry management. After years of hard work, it was through Coverfly that we were introduced to our manager. Not only was the Coverfly staff amazingly proactive, they were communicative every step of the way, which is a blessing for emerging screenwriters."

"Coverfly is a revolutionary platform. A free-to-play portal connecting screenwriters to producers. Your script goes directly to their desk without any subscription fees or mass mail-outs or the need to secure an agent or manager. A Hollywood producer downloaded my script from Coverfly, then came to me with an offer I couldn’t refuse. Without Coverfly, my project wouldn’t have been optioned by an established film producer. It would seem Coverfly is fast becoming the go-to place for connecting writers to real opportunities"

"Coverfly gave my script the industry visibility it needed to connect with a producer who read my script and then hired me for an open writing assignment, furthering my writing career. The Coverfly team has been generous with their time, advice, and support, which is an invaluable resource in this business. Thank you Coverfly!"

"The entire experience with Coverfly has been so encouraging. I’ve submitted quite a few scripts and the process is very easy. What I recently realized, though, is how easy it must be for the industry to find the kind of script they want. The very first script I submitted was found and now I have a shopping agreement in place. The Coverfly team has been wonderfully supportive. Thank you!"

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"Once Coverfly put me in contact with a producer who loved my screenplay, everything took off. She was amazing at getting the script into the right hands and I now have an attachment agreement in place for it with a hugely talented director/producer. I can’t wait to keep growing the script and pushing it towards production. Thank you to everyone at Coverfly who worked so passionately to get my work out there!"

"After a producer discovered my script F*** YOU, JOHN on Coverfly’s The Red List, everything took off. She made some great connections and got my script into all the right hands. Two months later and I’ve been hired as a Staff Writer at a production company for not only my first gig, but with producers whose mission statement I vibe with. Moral of the story: always include bad words in your script titles. Big thanks to Coverfly for giving further access to undiscovered writers!"

"What Coverfly is doing is a much needed service and is an absolute gift to writers. I can’t thank Coverfly enough. Working with the reps at Coverfly has been a dream. And I absolutely love how it came together, leading me to the wonderful pairing with Kevin at The|Machine, whom I’ve found to be the perfect fit as my literary manager. I’m speaking for myself, and I know many writers share my story; not being able to just pick up my life and move across the country can feel daunting, especially when all you hear is that you have to live in Los Angeles to make it in the film industry. And in this age of technology where we can FaceTime and Skype and be in touch instantaneously, ‘having to live’ anywhere seems archaic. So in this way and many others, I feel that what Coverfly is doing with this advocacy program is visionary and paving the road for the future of our storytellers. Brava. Coverfly will always be ‘how I got my foot in the door,’ and I would be delighted to be a mouthpiece for the benefits of this program. Thank you Coverfly”"