“Once Coverfly put me in contact with a producer who loved my screenplay, everything took off. She was amazing at getting the script into the right hands and I now have an attachment agreement in place for it with a hugely talented director/producer. I can’t wait to keep growing the script and pushing it towards production. Thank you to everyone at Coverfly who worked so passionately to get my work out there!”
– Matthew Ryan, screenwriter
“The entire experience with Coverfly has been so encouraging. I’ve submitted quite a few scripts and the process is very easy. What I recently realized, though, is how easy it must be for the industry to find the kind of script they want. The very first script I submitted was found and now I have a shopping agreement in place. The Coverfly team has been wonderfully supportive. Thank you!”
– Ellen Winburn, screenwriter from South Carolina
“Coverfly gave my script the industry visibility it needed to connect with a producer who read my script and then hired me for an open writing assignment, furthering my writing career. The Coverfly team has been generous with their time, advice, and support, which is an invaluable resource in this business. Thank you Coverfly!”
– Cat Dale, screenwriter from Colorado, USA
“Coverfly is a revolutionary platform. A free-to-play portal connecting screenwriters to producers. Your script goes directly to their desk without any subscription fees or mass mail-outs or the need to secure an agent or manager. A Hollywood producer downloaded my script from Coverfly, then came to me with an offer I couldn’t refuse. Without Coverfly, my project wouldn’t have been optioned by an established film producer. It would seem Coverfly is fast becoming the go-to place for connecting writers to real opportunities.”
– Pearse Lehane, screenwriter from London
“Coverfly gave our screenplay valuable exposure to industry management. After years of hard work, it was through Coverfly that we were introduced to our manager. Not only was the Coverfly staff amazingly proactive, they were communicative every step of the way, which is a blessing for emerging screenwriters.”
– Colin Dalvit & Andrew Lahmann, screenwriters from Washington, USA
“After Coverfly put me in contact with a producer, I was fortunate enough to get signed this week! I’m now working with a literary manager whom I trust to guide me and my screenwriting career. Thank you Coverfly for working so hard and so passionately on behalf of screenwriters… and most of all for believing in our stories.”
– Patrick Byrne, screenwriter living in Tokyo, Japan
“After years of sifting through countless screenwriting competitions, I am now able to simply search through an easy-to-read list on Coverfly and submit my projects all in one place. Never before did I know that the Nashville Film Festival had a screenwriting competition until I was introduced to it through Coverfly. I submitted my project and subsequently ended up winning the top screenwriting honor for my TV Pilot, Radicalized. Subsequently I signed with manager Randy Kiyan at Luber Roklin Entertainment and I’m now in pre-production on my feature film, A Brotherhood, with David Moscow attached to produce.”
– Bandar Albuliwi, screenwriter from Florida, USA
“The team at Coverfly has tremendous insight into why and how my TV pilot should be presented to the industry for representation and development. They have helped submit my project to several literary managers for consideration. I have complete confidence in the team at Coverfly.”
– Melinda Maerker, screenwriter
“As a producer developing movie properties, Coverfly is invaluable to me and my team in putting the correct writer with the right projects and in helping discover new talent.”
– Michael Doven, Producer (The Last Samurai, Minority Report, In Search of Fellini)
“I have used several vehicles and sites to get traction for my writing. Coverfly stood out as way to aggregate my work and make professional connections to match my writing style perfectly. Within weeks of listing my work, I was introduced to the right senior level industry executive – someone who makes decisions and gets films made.”
– Michael Bernard, screenwriter
…and see what competitions on Coverfly are doing for writers:
Colin Dalvit & Andrew Lahmann
After hosting their screenplay on Coverfly, Colin Dalvit & Andrew Lahmann quickly secured a literary manager through the platform (see their testimonial quote above).
Heather Faris was hired by Perdomo Productions to do a script rewrite within two months of winning gold at the PAGE International Screenwriting Awards for her script Ripple.
Anna Klassen was the winner of the 2017 ScreenCraft Screenwriting Fellowship and subsequently signed with her manager at Plattform and with an agent at WME, her screenplay was recently voted onto 2017’s The Black List.
Tripper Clancy was a Grand Prize winner of Script Pipeline’s screenwriting competition. His action-comedy script Stuber recently attached Dave Bautista (Guardians of the Galaxy) as well as Kumail Nanjiani (The Big Sick, Silicon Valley). 20th Century Fox picked up the script, based on a pitch developed by Tripper and his manager Jake Wagner (Good Fear).
T.A. Snyder was a winner of the 2014 ScreenCraft Screenwriting Fellowship, and he subsequently signed with literary management company Echo Lake where he has film and TV projects in active development. His pilot “Dead Men” was recently acquired by Endgame Entertainment.
Evan Daugherty was discovered by his manager on Script Pipeline and subsequently sold his script Snow White and the Huntsman to Universal for $3 million and later took the lead as a writer on studio films Divergent, Ninja Turtles, and the upcoming Rose Red from Disney.
Dominique Holmes, the Spring 2016 Diverse Voices TV Winner, signed with a founding partner at Heroes and Villains Management and is in active development on TV and feature projects.
Rob Lambert was Shore Scripts’ 2016 TV Pilot Winner and his pilot Los Ninos Sicarios was picked up by Sony’s Crackle. He is currently developing the show with their team.
Kenlon Clark won the 2017 WeScreenplay Feature Screenplay Contest and subsequently signed with a manager at Believeland Management after being introduced by WeScreenplay.
John Griffin won a full scholarship to ScreenCraft’s Screenwriters Residency Program in The Bahamas, went on to sell his spec screenplay ‘Crater’ to Fox.
Theo James Krekis
Theo James Krekis’ PAGE Award-winning short film script Breathe was picked up by Film London/BFI and awarded production funding and he’s now being approached by Hollywood producers with writing assignments.
Henry Dunham’s The Incident at Sparrow Creek Lumber wrapped production in April 2018 with an ensemble cast featuring James Badge Dale (Rubicon), Brian Geraghty (The Hurt Locker), Happy Anderson (Mindhunter), Robert Armayo (Game of Thrones), and Gene Jones (The Hateful Eight). Dallas Sonnier, Jonathan Brownlee, and Amanda Presmyk producing. Dunham is making his feature directorial debut. The project, originally titled Militia, won the 2015 Script Pipeline Screenwriting Competition. Henry was connected with representation less than a month after contest results were announced, signing with Pipeline industry partner Madhouse Entertainment.
Niall Queenan won the PAGE International Screenwriting Awards and then signed with manager Peter Katz.
Louis Ackerman was Shores Scripts’ 2015 Feature Grand Prize Winner and they just set up the horror/thriller script, Flesh & Blood with Blumhouse Productions. The film will be part of Hulu’s ‘Into the Dark’ series, and be released in Nov 2018. Dermot Mulroney will star as the doting father trying to help his daughter, Kimberly, a teenager suffering from agoraphobia who has not left the house since her mother’s still-unsolved murder. Patrick Lussier (My Bloody Valentine) is directing.