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Screenwriting 101

What is the Coverfly Score?

By | About Coverfly, Announcements, Screenwriting 101

Helping Writers Get Discovered by Tracking Progress on Submissions and Coverages

Our goal is to become the most efficient way for writers to be discovered by the entertainment industry, and the most trusted guide for emerging writers to achieve their goals. We do this by offering a free database for screenwriters to host their screenplays. In addition to hosting your projects for free, Coverfly uses your project’s reviews from submissions to top-tier festivals, competitions, fellowships and coverage services to provide a measure of our confidence that an Industry professional would be interested in your screenplay.  We’ve also pulled together dozens of highly regarded screenwriting competitions and free fellowships and programs to help you improve your score. Check out those tips and resources at the end of this article. 

The Coverfly Score is simply a tool to help writers better understand how their project is improving while also helping industry professionals discover great writers and great projects. It is, of course, not the only or even most important factor in determining the success of your script.  While we want the score to be helpful and empowering, we don’t ever want it to dissuade you from writing more projects or putting your work out there. The best writers write a LOT of projects!

A Special Metric Aggregating Screenplay Evaluations 

Aggregating scores

To help industry professionals discover great matches on Coverfly, we have found it important for projects to be vetted several times.  This allows for greater confidence in identifying the strengths, weaknesses, and general quality of the piece. On average, it takes about five reads before we have gathered enough data to confidently rate a project for Industry consideration. Remember, many contests read a script multiple times, so 5 reads can happen quickly.

More Evaluation Data is Better (up to a point)

Chart showing confidence in score increasing

Larger score updates will occur for the first five scores as we build confidence in the quality of the project.  Once a Project has a mature score, larger jumps may still occur with draft updates and strong placements in fellowships or competitions, but mature scores often change less because Coverfly is more confident in how your script is being received. If you submit an updated draft for coverage, we’ll weight that score more than the previous coverages you received.

Each score increase takes many factors into consideration, but essentially, your Coverfly Score increases as readers from well-regarded programs respond positively to your project. Our algorithm needs 5 reviews to be fully confident in your Coverfly Score. After 5 reviews we’re more confident, and placements will change your score less. It’s also worth knowing that 5 reads doesn’t mean you need to enter 5 competitions, most competitions read a script multiple times as it advances, so you may only need to enter one or two.   But, rest assured, we follow a strict rule: a Coverfly Score can never decrease. So, you’re free to experiment as you hone your story, without concern that it will negatively impact your score.

A Project’s Coverfly Score Won’t Ever Decrease 

Chart illustration showing that the Score never decreases

There will be times when your score does not increase.  A common reason for this is that the most recent screenwriting competition placement or coverage is not strong enough to outweigh the recent historical scores on your project.

When your project places in a festival, competition, or fellowship, we usually wait until after the placements have been announced publicly to update your score.  To determine a fair score for the increase, we take several core variables into account: how your project placed or scored, the thoroughness of that specific script evaluation process, and the success rate for writers in that specific screenwriting competition, fellowship or lab. It’s worth noting that larger score updates will occur for the first five scores as our algorithm collects more data and builds confidence in the quality of the project.  Once a Project has a mature score of at least 5 evaluation data points, larger jumps may still occur with draft updates and strong placements in fellowships and competitions, but mature scores often change less dramatically because Coverfly is more confident in how your script is being perceived across many different readers and judges.

Your Coverfly Score Consists of 3 Types of Information From a Competition 

Chart illustration showing the variables that help define score updates

Two things to consider:

  1. Coverfly Score updates may take up to 30 days to appear after a Competition or Fellowship announces their placements.  To help you keep track of your Coverfly Score updates, you can see a list of all pending and completed updates from your Project’s Score Update Page.
  1. While a lot goes into our algorithm, a simple way of thinking of these submission variables is:
    • Placement Score = Placement Position / Amount of Submissions, 
    • Evaluation Thoroughness = Number of Reads x Detail of Reads, and 
    • Writer Success Rate = Number of Writer Successes / Amount of Submissions 

In order to help you gauge your project as our algorithm builds confidence in the current quality of your project, we provide guides on your Coverfly Score graph to help writers predict where their current draft will place once it becomes a mature score with at least 5 evaluations. The Red List is Coverfly’s leaderboard of top projects, filterable by genre, format and time range. The Red List guide is a line that lets you see  how average Red List projects in your project’s genre and format performed for each score update.

The Red List Guide Line Shows Your Project’s Estimated Current Trajectory 

Illustration showing how the Average Red List line helps compare your project's score

One thing to keep in mind: The Red List line is merely an estimation, and not a guarantee that your project will follow the same trajectory as the projected guide.  Your project may be shown as below a guide, but one strong placement in a major fellowship or competition can dramatically boost your aggregate Coverfly Score.

The moment you list a script as “discoverable” on Coverfly, your project can be discovered and downloaded by vetted industry professionals, no matter how many reads or submissions it has received.  In order to bubble up the top projects for our industry professionals, we use the Coverfly Score to create The Red List. Scripts with the best Coverfly Scores are listed by genre and format, allowing professionals to discover the best matches for their needs. However, you do not need to be listed on The Red List to be discovered by Industry Pros.

The Red List is Coverfly’s Leaderboard of Top Projects 

Illustration of different ways to be on the Red List

By default, your projects are “private” on Coverfly and viewable only by you, and by the competitions to which you submit your project. While everyone can see and search “discoverable” Coverfly project profiles, only vetted industry professional members can download your script.  And we’ll notify you if an industry member downloads your project.

We would love to hear your feedback on how we could improve the Coverfly Scoring system to better impact your improvement as a writer and facilitate Industry discovery. The important thing is to continually improve your craft and keep getting your material out there. Remember, writing is rewriting!

Happy Writing

Tips for Improving your Coverfly Score

  1. Use feedback to improve your script. This can be from friends, coverflyX, or just trading notes on social media — the important thing is to take the feedback and re-write process seriously. Once you’ve updated your script, you can update Coverfly with your latest draft.  While new drafts do not advance your score, a polished script will do better in competition submissions and script review services.
  2. Get professional script coverage to help identify areas of improvement. Writing is rewriting! The average produced screenplay undergoes no less than 30 rounds of notes, or more from various creative stakeholders. Getting and implementing notes is an important part of the craft.  
  3. Submit to top competitions.  Please be sure to research opportunities carefully. We only allow reputable and proven talent-discovery programs to accept submission on Coverfly, so it’s a great place to find appropriate competitions, festivals and fellowships for your project.
  4. Take advantage of free submissions whenever available. Check out our extras for free opportunities.
  5. If you’re low on funds, check out Coverfly’s fee waiver program which helps writers who demonstrate financial need.

How to Win a Screenwriting Competition

By | Contests, Screenwriting 101

How do you win screenplay competitions? Well, unfortunately, there is no magic formula. (Sorry to burst your bubble!) However, throughout my years of contest reading, I’ve noticed some crucial things writers can do to increase the chances of their scripts scoring well and advancing, and yes, possibly even winning!

Before we jump in, it’s important to understand how scripts are generally scored in competitions. Many competitions use a numeric rating system for various categories, which may include plot, character, writing style, theme, narration, spelling/grammar, presentation, marketability, etc. Readers assign point values for each category, and the scripts that score above a certain number advance to the next round. Generally, the contest judges read the highest-scoring scripts and then choose finalists and winners.

Now that we’re up to speed, let’s dive into how you can increase your score and your likelihood of winning.

Submit to the Right Competitions for Your Script

Not all screenplay competitions are created equal. Some are more high profile than others. Some focus on finding underrepresented voices and stories, while others are looking for the next commercial blockbuster. Some focus on specific genres, such as horror, action, or comedy. Some are only looking for spiritual, religious, or uplifting content. Each competition is looking for something different.

An important first step in winning a competition is to determine what contests are looking for your type of material. There’s no point in entering your high-concept horror script into a contest looking for heartwarming, spiritual stories. That’s why it’s so important to do your research: so you don’t waste time or money submitting to contests that aren’t the right fit for your script.

It’s also helpful to find out what each contest’s judging criteria are before submitting. Some competitions, such as The Academy Nicholl Fellowships, actually lay out their criteria in advance for writers to review. If you can find out what categories a contest uses for judging, it can be a window into understanding that contest’s tastes and what needs to be done to advance in the competition.

Do a Pass for Each Judging Category

If you can get ahold of the judging categories for the contests you’re entering, be sure to do a revision pass specifically for each category. This is a fantastic way to make sure your script is the best it can be in terms of plot, structure, character, theme, writing style, presentation, etc. If you can’t get ahold of the contest’s specific criteria, doing a pass for the general categories listed above will still elevate your script and increase its chances of success.

Ask yourself with each pass: is the plot tight and well-paced? Does the structure of the script make sense and allow the character(s) to go on a journey? Are the characters three-dimensional and dynamic? Do I have a thematic thread that ties the story together, and is my messaging on point? Are my lead characters going on a journey that has meaning and depth? Is my writing style concise and engaging? Are my fonts, margins, tabs, etc. set at industry standard? (Using screenwriting software will usually take care of that for you.)

Follow the Competition’s Rules and Guidelines

For several years, I’ve read for a writing contest that is quite strict about writers following its page count and subject matter guidelines. If the submitted material doesn’t comply, unfortunately, it’s disqualified. Some contests, like that one, have strict guidelines, whereas others are more forgiving when it comes to things like page length. The thing is, you won’t know which contests are strict and which aren’t going in. The safest thing you can do to make sure your script doesn’t get disqualified from the go is to stick to the recommended page lengths and any other specific guidelines, such as margins, font, etc.

Proofread Your Script (or Better Yet, Have Someone Else Proofread It)

The presentation of the script is the only thing a writer has 100% control over. You can’t control your contest readers and whether or not they connect to your story. You can’t control the scores a reader gives, or if you get advanced to the next round. But you can and should control how polished your script looks when you submit it.

If a writer submits a sloppy script, it reflects poorly on that writer and poorly on presentation and spelling/grammar scores. Why risk not being advanced to the next round because you didn’t proofread? The best thing you can do is to have a trusted friend, relative, fellow writer, or proofreading service look over your script for you. It’s challenging to catch your own errors when you’re so used to seeing your own words on the page. If you don’t have anyone who can help, then reading your script out loud yourself is very helpful for catching errors. When you read it out loud, you say every word and you’ll hear right away if grammar or syntax is off. If you are using Final Draft, the program can read your script aloud as well, via the Assign Voices and Speech Control functions.

Enter Competitions That Offer Feedback

Some competitions offer included feedback as part of the entry fee, or optional feedback that you can add on when you submit. Getting feedback from your readers can be incredibly helpful in understanding how your script is perceived, and what revisions you can make to improve it for the future.

Vet Your Script, and Submit the Best Possible Version

Writing can be a lonely pursuit, and it can be hard to be the only judge of the quality of your material. So why not join a writers’ group? Not only is it a great way to make friends who share your same interests, but you can also get several honest opinions on multiple drafts of your work before you submit it to competitions.

Note that I said “multiple drafts” just then! It’s never a good idea to submit a first draft or a script that isn’t ready just because of a contest deadline. While deadlines are great motivators, throwing something together just to be able to enter is a waste of time and money. Make sure your script is thoroughly vetted by writer friends, a writers’ group, or through professional feedback (like a reputable coverage service, or professional writing consultant) before entering contests.

Submit to Multiple (Reputable) Competitions

Do your research on what competitions will help advance your career. You want to choose ones that have reputable production companies, producers, agents, and execs who will be either judging the scripts or reading the winners. Don’t shotgun your script to every contest, but don’t be afraid to enter a solid handful of contests that are a good fit for your script. What doesn’t advance in one competition can win another—you never know.

The Coverfly team thoroughly vets the competitions allowed on the platform, and it is constantly growing. See the contests available on Coverfly here.


While winning a screenplay competition isn’t ultimately in your control, making sure you submit to the right contests and get your script in the best shape possible certainly is. Best of luck with your contest submissions!


Rebecca Norris is an award-winning writer and independent producer. Her feature film, Cloudy With a Chance of Sunshine, is distributed on Prime Video and DVD, and two of her short films are distributed through Shorts International. Before becoming a full-time writer, Rebecca worked in development and read for numerous production companies and screenplay competitions. She is currently working on a novel while chasing her adorable, yet fast-moving toddler. Follow Rebecca on Twitter at @beckaroohoo.


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Are Screenwriting Classes Worth It?

By | Screenwriting 101

Fade in. 

INT. CONFERENCE ROOM OR CLASSROOM — DAY

Your typical meeting space. There’s a whiteboard that hasn’t been fully cleaned, a long conference table, and a chatty GROUP of writers gathered around. They talk about their current screenwriting projects… 

Until a bubbly TEACHER enters the room, a PILE OF SCRIPTS in hand.

TEACHER
Alright everyone, let’s get to work.

***

Okay, I admit, screenwriting classes probably don’t look like this. Nowadays many happen virtually, so your fellow classmates could be pajama-clad or at the bar down the street and you’d never be the wiser.

Classes don’t come cheap though, and you’re likely wondering if they’re worth all the money. Unfortunately, the answer is one of those standard non-answers: it depends. 

It depends… on what you’re hoping to get out of the classes.

If you’re a newbie, just looking to learn the structure and form of screenwriting, don’t waste your money. The basics of screenwriting can be found in any number of books, blog posts, and online resources, such as The Script Lab, ScreenCraft and WeScreenplay. 

But if you’re struggling with writing in some way, consider taking a class or two.

Writing is a solitary act. Unless you have a writing partner, more often than not, you’re alone with your computer and a cup of coffee, just trying to get the words out. It’s a process that doesn’t include a lot of feedback. 

Screenwriting classes can be extremely beneficial for the part of the writing process that requires feedback.

Sure, you could do revisions and edits on your own. But what if Suzy who sits next to you on Saturdays has an idea that could blow your plot wide open? What if Joe who doesn’t speak up in class but gives thoughtful, detailed notes via email makes you realize that your character is completely wrong? 

Any screenwriting class worth its salt will offer some kind of feedback — whether that’s peer feedback or instructor feedback or both. That kind of group mind is invaluable to screenwriters. It’s difficult to view your own writing through completely clear glasses, but your classmates can. 

Screenwriting classes are helpful in teaching screenwriters a process for developing, outlining, writing, and revising their projects. 

Whether it’s dictated by a specific instructor who prefers a certain process to another, or by the organization as a whole, this kind of structure gives writers a route on which to travel once the class is over. It’s a repeatable process that you, as the screenwriter, alone with your laptop and coffee and snoozing cat in the corner, can implement time and time again. That’s what we call return on investment. 

But maybe the best thing about screenwriting classes is that they include deadlines. 

Most of us aren’t lucky enough to write screenplays for a living — we have day-jobs, children, spouses, side-gigs, and dinner to cook. But when you take the initiative to sign up and pay money for a screenwriting class and that class includes deadlines, you’re more likely to do the work.

Write your screenplay in five weeks with the guide from The Script Lab.

These kinds of deadlines are essential because it means that someone else is waiting for your work. It introduces an element of accountability that isn’t present when it’s just you, the laptop, the coffee, the cat, and the sound of someone in the other room doing anything that sounds more fun than writing. Accountability is key. 

There are oodles of other benefits to screenwriting classes —

A network of students and instructors, exposure to other writing, the chance to improve your own feedback skills, etc. In my opinion, having taken several screenwriting classes, they’re more than worth it. 

Ultimately, the bottom line is: What do you want to get out of it?

If the class can provide whatever you’re looking for, click that sign-up button now.


Full disclosure: The Script Lab, ScreenCraft and WeScreenplay are partner sites of Coverfly.


Britton Perelman is a writer and storyteller based in Los Angeles, California. When not buried in a book or failing spectacularly at cooking herself a meal, she’s probably talking someone’s ear off about the last thing she watched. She loves vintage typewriters, the Cincinnati Reds, and her dog, Indy. 


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